Dmitri Dmitrievich Shostakovich - Jüdische Musik in Ost- & Mitteleuropa, Görlitz 2011

Jewish Music in Eastern and Central Europe

Babi Yar tot Babi Yar

Görlitz - Zgorzelec

20 - 22 October 2011
Künstlerische Leitung: Jascha Nemtsov & Albrecht Goetze

Donnerstag, 20. Oktober 2011

Panel 1

The cultural-historical context: Jews in Eastern and Central Europe in the 20th century

Katrin Steffen (Nordost-Institut, University of Hamburg)
Ambiguous encounters: The History of Jews in Eastern Europe and their Europeanness

Jascha Nemtsov (Abraham Geiger College, University of Potsdam)
Socialism in Red and Brown or Why the Jews had no place in the 'Brave New World'

Gabriele Freitag (German Association for East European Studies, Berlin)
Jewish art or art made by Jews? The self-conception of Jewish artists in the late Russian Empire and the early Soviet Union

Janina Wurbs (University of Potsdam)
Scattered Fragments: Ethnographic interviews in Yiddish in Chernivtsi, Ukraine

Alexander Ivanov (European University, St. Petersburg)
Jewish Professional Music and Musicology in Late Imperial Russia and in the Soviet Union: Review of Documentary Sources in St. Petersburg Archives (1900s-1930s)

MUSIK IM OKKUPIERTEN POLEN
Ausstellungseröffnung in der Galerie am Postplatz | Theaterpassage

Katarzyna Naliwajek, Einführung

Konzert im Theater Görlitz

Jüdische Lieder zwischen Abendland und Morgenland

Tehila Nini Goldstein & Jascha Nemtsov (Piano)


	Click the images to enlarge the picture













Ausstellung MUSIK IM OKKUPIERTEN POLEN von Katarzyna Naliwajek-Mazurek (Universität Warschau) Mit über 40 Text-/Bildtafeln, sowie Hörstationen und Filmdokumenten

Katarzyna Naliwajek-Mazurek widmete sich in ihrer Forschungsarbeit, für die sie im Januar 2011 mit dem Hosenfeld/Szpilman-Gedenkpreis in der Leuphana Universität ausgezeichnet wurde, einem bis heute in der deutschen Musikwissenschaft eher vernachlässigten Themengebiet: der planmäßigen Zerstörung der Musikkultur Polens in den Jahren der Besetzung durch das nationalsozialistische Deutschland. In einem dichten Zusammenspiel von Text-, Bild-, Ton- und Filmmaterial vermittelt die Präsentation Einblicke in kulturhistorische Zusammenhänge und leistet damit einen wichtigen Beitrag zu einem bisher kaum bearbeiteten Kapitel deutsch-polnischer Geschichte.

Freitag, 21. Oktober 2011

Panel 2

Jewish musical traditions as sources of the school of composers

Judah Cohen (Indiana University, Bloomington)
European Sounds, American Models: Composing Zimrath Yah, 1871-1885

Evgenia Khazdan (Russian State Institute for Art History, St. Petersburg)
Performed by Neal Stulberg
The Art of Broderzingers and Ashkenazic Folk Songs

Lyudmila Sholokhova (YIVO New York)
Tradition of Jewish Performance Continues: Sidney Krum Young Artists Concert Series at YIVO Institute for Jewish Research in New York in 2010-2011

Eliyahu Schleifer (School of Sacred Music, HUC, Jerusalem)
The Cantorial Modes (Shtayger) in the Eastern-European Synagogue
Tradition, with special emphasis on Adonai Malakh Mode, Its Scale, Motifs and Ethos

Andreas Schmitges (musician, dancer, author and Yiddishist, Cologne)
'S'iz shver tsu zayn a teenager …'. Megille Reloaded – A youth project in Cologne / Germany for Purim 5771/2011

Kabbalat Shabbath Gottesdienst in der Synagoge Görlitz

KammerorchesterKonzert in der Synagoge Görlitz

Die Neue Jüdische Schule im Kontext des europäischen Neofolklorismus des 20. Jahrhunderts

Alexandre Tansmann | Béla Bartók | Joseph Achron | Israel Brandmann | Bohuslav Martinů

Kammersymphonie Berlin
Leitung Jürgen Bruns


	Click the images to enlarge the picture

Samstag, 22. Oktober 2011

Panel 3

Jewish art music and its creators in Eastern and Central Europe:
persecution, expulsion, rediscovery, perspectives for the 21st century

Frank Harders (Boosey & Hawkes, Berlin / London)
Katarzyna Naliwajek-Mazurek (Universität Warschau)
Fate and Identity - Polish Jewish composers in the 20th Century

Shoshana Liessmann (Munich, Jewish Music Research Center Jerusalem)
Jewish Music made in Germany

Neal Stulberg (Herb Alpert School of Music, University of California, Los Angeles)
Lazare Saminsky the Symphonist: Pursuing the Majestic

Yuval Shaked (University of Haifa)
Julius Chajes' Life Route from Lemberg, through Vienna, Tel Aviv and Vienna again to Detroit:
The Viennese Roots of the Mediterranean School of Israeli Music and Their Spreading in the US-American Exile

Joshua Walden (Peabody Conservatory/Johns Hopkins University)
The "Second Paganini": Joseph Achron and the Music of Sholem Aleichem's Stempenyu

James Loeffler (University of Virginia)
Performed by Judah Cohen
Holocaust Music or Soviet Patriotic Art?: Mikhail Gnesin and the Problems
of Contemporary Historical Interpretation

GesprächsKonzert in der Synagoge Görlitz

Lazare Saminsky | Jakob Schönberg | Alfred Goodman | Juliusz Wolfsohn | Grigori Krein

Jascha Nemtsov, Klavier


	Click the images to enlarge the picture

30-10-2014

Dmitri Dmitrievich Shostakovich (1906-1975)

Jewish Music in Eastern and Central Europe

Görlitz - Zgorzelec

20 - 22 October 2011 Künstlerische Leitung: Jascha Nemtsov & Albrecht Goetze

Donnerstag, 20. Oktober 2011

Panel 1

The cultural-historical context: Jews in Eastern and Central Europe in the 20th century

Katrin Steffen (Nordost-Institut, University of Hamburg) Ambiguous encounters: The History of Jews in Eastern Europe and their Europeanness

Jascha Nemtsov (Abraham Geiger College, University of Potsdam) Socialism in Red and Brown or Why the Jews had no place in the 'Brave New World'

Gabriele Freitag (German Association for East European Studies, Berlin) Jewish art or art made by Jews? The self-conception of Jewish artists in the late Russian Empire and the early Soviet Union

Janina Wurbs (University of Potsdam) Scattered Fragments: Ethnographic interviews in Yiddish in Chernivtsi, Ukraine

Alexander Ivanov (European University, St. Petersburg) Jewish Professional Music and Musicology in Late Imperial Russia and in the Soviet Union: Review of Documentary Sources in St. Petersburg Archives (1900s-1930s)

MUSIK IM OKKUPIERTEN POLEN Ausstellungseröffnung in der Galerie am Postplatz | Theaterpassage Katarzyna Naliwajek, Einführung

Konzert im Theater Görlitz

Jüdische Lieder zwischen Abendland und Morgenland

Tehila Nini Goldstein & Jascha Nemtsov (Piano)

Ausstellung MUSIK IM OKKUPIERTEN POLEN von Katarzyna Naliwajek-Mazurek (Universität Warschau) Mit über 40 Text-/Bildtafeln, sowie Hörstationen und Filmdokumenten

Freitag, 21. Oktober 2011

Panel 2

Jewish musical traditions as sources of the school of composers

Judah Cohen (Indiana University, Bloomington) European Sounds, American Models: Composing Zimrath Yah, 1871-1885

Evgenia Khazdan (Russian State Institute for Art History, St. Petersburg) Performed by Neal Stulberg The Art of Broderzingers and Ashkenazic Folk Songs

Lyudmila Sholokhova (YIVO New York) Tradition of Jewish Performance Continues: Sidney Krum Young Artists Concert Series at YIVO Institute for Jewish Research in New York in 2010-2011

Eliyahu Schleifer (School of Sacred Music, HUC, Jerusalem) The Cantorial Modes (Shtayger) in the Eastern-European Synagogue Tradition, with special emphasis on Adonai Malakh Mode, Its Scale, Motifs and Ethos

Andreas Schmitges (musician, dancer, author and Yiddishist, Cologne) 'S'iz shver tsu zayn a teenager …'. Megille Reloaded – A youth project in Cologne / Germany for Purim 5771/2011

Kabbalat Shabbath Gottesdienst in der Synagoge Görlitz

KammerorchesterKonzert in der Synagoge Görlitz

Die Neue Jüdische Schule im Kontext des europäischen Neofolklorismus des 20. Jahrhunderts

Alexandre Tansmann | Béla Bartók | Joseph Achron | Israel Brandmann | Bohuslav Martinů

Kammersymphonie Berlin Leitung Jürgen Bruns

Samstag, 22. Oktober 2011

Panel 3

Jewish art music and its creators in Eastern and Central Europe: persecution, expulsion, rediscovery, perspectives for the 21st century

Frank Harders (Boosey & Hawkes, Berlin / London) Katarzyna Naliwajek-Mazurek (Universität Warschau) Fate and Identity - Polish Jewish composers in the 20th Century

Shoshana Liessmann (Munich, Jewish Music Research Center Jerusalem) Jewish Music made in Germany

Neal Stulberg (Herb Alpert School of Music, University of California, Los Angeles) Lazare Saminsky the Symphonist: Pursuing the Majestic

Yuval Shaked (University of Haifa) Julius Chajes' Life Route from Lemberg, through Vienna, Tel Aviv and Vienna again to Detroit: The Viennese Roots of the Mediterranean School of Israeli Music and Their Spreading in the US-American Exile

Joshua Walden (Peabody Conservatory/Johns Hopkins University) The "Second Paganini": Joseph Achron and the Music of Sholem Aleichem's Stempenyu

James Loeffler (University of Virginia) Performed by Judah Cohen Holocaust Music or Soviet Patriotic Art?: Mikhail Gnesin and the Problems of Contemporary Historical Interpretation

GesprächsKonzert in der Synagoge Görlitz

Lazare Saminsky | Jakob Schönberg | Alfred Goodman | Juliusz Wolfsohn | Grigori Krein

Jascha Nemtsov, Klavier

20 - 22 October 2011
Künstlerische Leitung: Jascha Nemtsov & Albrecht Goetze

Katrin Steffen (Nordost-Institut, University of Hamburg)
Ambiguous encounters: The History of Jews in Eastern Europe and their Europeanness

Jascha Nemtsov (Abraham Geiger College, University of Potsdam)
Socialism in Red and Brown or Why the Jews had no place in the 'Brave New World'

Gabriele Freitag (German Association for East European Studies, Berlin)
Jewish art or art made by Jews? The self-conception of Jewish artists in the late Russian Empire and the early Soviet Union

Janina Wurbs (University of Potsdam)
Scattered Fragments: Ethnographic interviews in Yiddish in Chernivtsi, Ukraine

Alexander Ivanov (European University, St. Petersburg)
Jewish Professional Music and Musicology in Late Imperial Russia and in the Soviet Union: Review of Documentary Sources in St. Petersburg Archives (1900s-1930s)

MUSIK IM OKKUPIERTEN POLEN
Ausstellungseröffnung in der Galerie am Postplatz | Theaterpassage

Katarzyna Naliwajek, Einführung

Ausstellung MUSIK IM OKKUPIERTEN POLEN
von Katarzyna Naliwajek-Mazurek (Universität Warschau)
Mit über 40 Text-/Bildtafeln, sowie Hörstationen und Filmdokumenten

Judah Cohen (Indiana University, Bloomington)
European Sounds, American Models: Composing Zimrath Yah, 1871-1885

Evgenia Khazdan (Russian State Institute for Art History, St. Petersburg)
Performed by Neal Stulberg
The Art of Broderzingers and Ashkenazic Folk Songs

Lyudmila Sholokhova (YIVO New York)
Tradition of Jewish Performance Continues: Sidney Krum Young Artists Concert Series at YIVO Institute for Jewish Research in New York in 2010-2011

Eliyahu Schleifer (School of Sacred Music, HUC, Jerusalem)
The Cantorial Modes (Shtayger) in the Eastern-European Synagogue
Tradition, with special emphasis on Adonai Malakh Mode, Its Scale, Motifs and Ethos

Andreas Schmitges (musician, dancer, author and Yiddishist, Cologne)
'S'iz shver tsu zayn a teenager …'. Megille Reloaded – A youth project in Cologne / Germany for Purim 5771/2011

Kammersymphonie Berlin
Leitung Jürgen Bruns

Jewish art music and its creators in Eastern and Central Europe:
persecution, expulsion, rediscovery, perspectives for the 21st century

Frank Harders (Boosey & Hawkes, Berlin / London)
Katarzyna Naliwajek-Mazurek (Universität Warschau)
Fate and Identity - Polish Jewish composers in the 20th Century

Shoshana Liessmann (Munich, Jewish Music Research Center Jerusalem)
Jewish Music made in Germany

Neal Stulberg (Herb Alpert School of Music, University of California, Los Angeles)
Lazare Saminsky the Symphonist: Pursuing the Majestic

Yuval Shaked (University of Haifa)
Julius Chajes' Life Route from Lemberg, through Vienna, Tel Aviv and Vienna again to Detroit:
The Viennese Roots of the Mediterranean School of Israeli Music and Their Spreading in the US-American Exile

Joshua Walden (Peabody Conservatory/Johns Hopkins University)
The "Second Paganini": Joseph Achron and the Music of Sholem Aleichem's Stempenyu

James Loeffler (University of Virginia)
Performed by Judah Cohen
Holocaust Music or Soviet Patriotic Art?: Mikhail Gnesin and the Problems
of Contemporary Historical Interpretation