London
Goldsmiths University of London
Symposium

Ian Gulland Lecture Theatre

Tuesday 26 September 2006 |
| History, Politics & Style (chair: Anatole Leikin) Vladimir Orlov, Songs from Jewish Folk Poetry Levon Hakopian, Symbolism of twelve-tone rows in the late music |
| History, Politics & Style Marina Frolova-Walker, Shostakovich's neoclassicism Laurent Slaars, Against Soviet anti-Semitism Elena Dubinets, Shostakovich through émigré eyes |
| Film and Theatre (chair: Kristian Hibberd) Gregg Render, Two film composers' responses to Stalin John Riley, Shostakovich and Stalin at the movies Guiseppe Montemagno, Carla Fracci's Hamlet |
| History, Politics & Style (chair: Elena Dubinets) Constance Dee, The Seventh Symphony in WW II Britain (Michael Mishra) Michael Mishra, Stephan Razin, Babi Yar and 'style russe' Yulia Kreinin, Shostakovich and Lutoslawski |
| Book Presentation (chair: Alexander Ivashkin) Olga Dombrovkaya, Pages of Shostakovich's life in photographs |
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Council Chamber
Deptford Town Hall

Wednesday 27 September 2006 |
| Life & Documents (chair: Miranda Wilson) Olga Dombrovskaya, Mysteries of the Ninth Quartet Olga Digonskaya, Unkonwn Shostakovich manuscripts Anna Fortunova, Shostakovich the conductor Alexander Ivashkin, Shostakovich, minimalists and old believers |
| Genres & Aeshetics (chair: Elizabeth Wilson) Ivan Sokolov, The riddle of the Viola Sonata William Quillen, Shostakovich's late 'simfonizm' Miranda Wilson, Quotation in the Second Cello Concerto |
| Theory & Analysis (chair: Laurent Slaars) Mike Rofe, Structural similarity of the Fourth and Fifth Symphonies Simon Desbrusiais, Fugal perspectives Anatole Leikin, Cyclical features in the 24 Preludes Op. 34 |
| Theory & Analysis (chair: John Riley) Richard von Foerster, DSCH in the Eigth Quartet David Castro, Shostakovich's sonata forms Kristian Hibberd, Narrative Structure in the 15th Quartet: A Chronotopic Interpretation |
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Henny & Egbert
10-12-2006